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Hey Carl.. thanks for the video. Awesome as always.

Some wheels started turning in my head while I was playing along with the backing track, but I am not really makin any sense of it in my head.

It seems like the E major pentatonic fits really well with these chords too, and from what I can tell, the E major pentatonic is exactly the same as the B major pent except for a single note! (D# instead of E)

Is this some sort of modal pentatonic as well? (P.S. I hope this didn’t confuse anyone!)

Hey Ajo, your are correct the E Major Pentatonic sounds good to. It does this because all of the notes fall within an A Major tonality without the fourth so it doesn’t clash with the #11. I have some more of these types of lessons coming where we will get the other modes from this simple process as well. I think Dorian will be next.

Carl..

Very nice lesson very cool the backing track too thanks a lot !!! = )

PDF file of lesson?

Hey Michael, no I didn’t do any PDF for this lesson since I am only talking about the pentatonic forms that I had already shown and made PDF’s for in my pentatonic scale lessons that are found in the Intermediate Guitar Lessons archive. That should give you all the scale forms you need for this kind of thing.

Carl..

Yeah Just Finished the Video. haha i’m just amaze Thanks for the vidz Keep on posting Rock on! \m/,
Rogie
Philippines

Oh yeah, I think I have every UNC shirt ever made.

Hey Lowell, all of the improvisation at the beginning of the video is just me playing B Major pentatonic scales up and down the neck. Doing that over an A Lydian harmony is what creates that Lydian sound.

As for tips on how to break out of playing in one position, I think it mostly comes down to visualization of the scale forms. I have an entire series of lessons on the pentatonic scales in the Intermediate section of the lessons archive. In those lessons I talk about how I choose to visualize the pentatonic scale all over the neck.

Check out those lessons and let me know what you think.

Cheers! Carl..

Carl,

This was a groundbreaking lesson for me! Not only did I get the “quick access” to Lydian using the Pentatonic forms, it triggered me more to using the Major Pentatonic forms – or better said – “seeing” them more on the fretboard. For some reason this unlocked the fretboard more than anything.

One question though. What do I “look for” when choosing to lay Lydian down during a solo. This backing track is obviously great for this, but what do I look for in order for this to be a good choice. I undertstand A Major is a possibility, but not all chord progressions around A Major will fit, correct?

Thanks,

Joel Powell
Ann Arbor, MI

Hey Paul, the root tone would be taken care of with the harmony that you are soling over (ie A major type harmony).

The tone that give Lydian it’s sound is the #4 scale degree which in this case is the D#. So playing that note over a major harmony would give you a Lydian sound immediately. All the other tones are form the regular major scale and can be included or not depending on what you want to use. Since we are using pentatonic scales here there will only be 5 notes to play with so some will be left out. The idea is just to place the pentatonic scale in a position on the fretboard where it includes all the essential notes for a particular mode, there for attaining that sound.

Cheers! Carl..

Very useful Thank you so much

Hey Angelo, thanks for checking out my lessons!

Yes I do plan on tackling the other modes as well. However, I think I am gonna put it in a complete guitar course for mastering pentatonics that will be coming up in a couple months.

Cheers! Carl..

Hey Carl, i really appreciate & understand your way of teaching…thanks a lot buddy.. .i’ll wait some guitar lessons & technic from you my mentor…thanks..! cheersssss…